A few years ago some computer gamers based in Havana strung a small web of ethernet cables, from house to house, so they could play video games together. The network has grown quietly and today its called StreetNet: a bootleg internet for Havana with over 10,000 users. It was an innovation forged by necessity in a country where only 5 percent of the citizens have access to the uncensored internet. Watch the why Cuba’s internet is stuck in 1995.
Congress basically dicked around all year up until now, not solving much of anything. And when hard shit is finally here, and when real leadership is needed, John Boehner kisses the Pope’s ring and then gets the fuck out of dodge.
Bullshit. Do they really think progressives are in favor of wasteful and ineffective government? Do they think we’re saying, “Thumbs up to ineffective government spending! Let’s pour our government’s resources down a rat hole! Let’s spend our tax money giving every citizen a solid-gold tuba and a lifetime subscription to Cigar Aficionado!” This is an idealized, self-serving definition of “fiscally conservative,” defined by conservatives to make their position seem reasonable. It does not describe fiscal conservatism as it actually plays out in the United States. The reality of fiscal conservatism in the United States is not cautious, evidence-based attention to which government programs do and don’t work. If that were ever true in some misty nostalgic past, it hasn’t been true for a long, long time. The reality of fiscal conservatism in the United States means slashing government programs, even when they’ve been shown to work. The reality means decimating government regulations, even when they’ve been shown to improve people’s lives. The reality means cutting the safety net to ribbons, and letting big businesses do pretty much whatever they want.
South Park was perfectly suited to internet consumption in a way no other 90s shows were. They had the early internet’s dispassionately antisocial aesthetic locked down before the internet took over. The jokes and pace were loud and fast—it said what it wanted to say as crudely and conversationally as possible. The show’s rudimentary animation style meant you couldn’t ruin its intricacies with digital compression, mainly because there weren’t any intricacies to ruin.